David Pinner died on 22nd December 2025, following a struggle with pancreatic cancer. R.I.P.
(Scroll down to the bottom of this page to ready tributes by AWL friends and admirers.)
David’s plays have been widely performed in Britain – at Fortune Theatre, Arts Theatre, Soho Poly, Lyric Hammersmith, Finborough Theatre, New End Theatre, Grace Theatre, Jermyn Street Theatre, Traverse Theatre, Edinburgh and at Lion Theatre, New York. He had several plays broadcast on television and radio.
As an actor, he was trained at RADA, and he appeared in many plays in the theatre and on television and radio.
Penguin New English Dramatists published his plays, Dickon, Fanghorn and The Drums of Snow.
Oberon Books published his plays The Stalin Trilogy, The Vampire Trilogy, Three Power Plays, The Seasons Quartet, Oh, To Be In England and his four one-act-plays, The Joy Of Misery.
Hutchinson published his novel, Ritual, which was the original seed that grew into the towering movie, The Wickerman.
His last novel, The Wicca Woman, was published by Endeavour.
What I Really Think of My Husband
And Tomorrow Theatre Company, Golden Goose Theatre, 2023
Edred, the Vampyre
The Old Red Lion, 2019, directed by Anthony Shrubsall
The Potsdam Quartet
Jermyn Street Theatre 2013
Oh, To Be in England
Finborough Theatre 2011
Midsummer
Brehmer Theater New York 2003; also directed
All Hallows’ Eve
Academy of Performing Arts Hong Kong, 2002; also directed
Lenin in Love
New End Theatre London, 2000 with James Faulkner and Francis Cuka; also translated into Russian, given a reading by the leading actors of Liubimov’s Taganka Theatre in Moscow and shown on Moscow television in 2001
The Sins of the Mother
Grace Theatre London 1996, produced by Richard Bates
The Last Englishman
Orange Tree Theatre London, 1990 with Kate O’Mara, directed by David Pinner
Skin Deep
Gateway Theatre Chester 1989, with Mark Kingston
The Teddy Bears’ Picnic
Gateway Theatre Cheste, 1988, with Philip Madoc as Joseph Stalin; also translated into Russian, given a reading by the leading actors of Liubimov’s Taganka Theatre in Moscow and shown on Moscow television in 2001
Revelations
Grinnell USA 1986
Screwball
Theatre Royal Plymouth 1983
An Evening with the GLC
Soho Poly 1979
Shakebag
Soho Poly London 1976
The Potsdam Quartet
Yvonne Arnaud Theatre Guilford 1974; The Lyric Hammersmith 1979, with Clive Swift, directed by David Giles, and at the Lion Theatre, New York, 1982, directed by Jacques Levy
Hereford the Wake
Key Theatre Peterborough 1973, as Playwright in Residence
Marriages
London Academy of Music and Drama 1972, also directed
Lucifer’s Fair
Arts Theatre London 1971, as Playwright in Residence
Cartoon
Soho Poly London 1970
Lightning at a Funeral
Stanford Repertory Theatre California 1969
The Drums of Snow
Stanford Repertory Theatre California 1968
Fanghorn
Traverse Theatre Edinburgh, 1966; Starring Glenda Jackson Fortune Theatre West End, 1967
Dickon
Queen’s Theatre Hornchurch with Joseph O’Conor 1965
The Joy of Misery
Four one-act plays: Cartoon, An Evening with the GLC, Shakebag & Succubus: Oberon 2012
The Vampire Trilogy
Fanghorn, Edred, the Vampyre & Lucifer’s Fair: Oberon Modern Playwrights 2011
Oh To Be in England
Oberon Modern Playwrights 2011
Three Power Plays
The Drums of Snow, Richelieu & Prince of Traitors: Oberon Modern Playwrights 2004
The Stalin Trilogy
Lenin in Love, The Teddy Bears Picnic & The Potsdam Quartet: Oberon Modern Playwrights 2004
Newton’s Hooke
published with Carl Djerassi’s Calculus, under the generic title Newton’s Darkness: Imperial College Press 2003
Revelations
Oberon Modern Playwrights 2003
Lady Day
Oberon Modern Playwrights 2003
All Hallows’ Eve
Oberon Modern Playwrights 2002
Midsummer
Oberon Modern Playwrights 2002
The Potsdam Quartet
Oberon Modern Playwrights 2002
The Teddy Bears’ Picnic
Oberon Modern Playwrights 2002
Lenin in Love
Oberon Modern Playwrights 2000
Shakebag
Green River Review USA 1982
The Potsdam Quartet
Terra Nova Editions 1971 and Samuel French 1981
The Drums of Snow
Penguin 1968 and Plays Of The Year 1971
Dickon
Penguin 1967
Fanghorn
Penguin and Plays and Players 1966
The Wickerman
The cult movie ( British Lion 1972) starring Christopher Lee, Brit Eckland and Edward Woodward, was based on David Pinner’s novel, Ritual, as was the remake of The Wickerman with Nicholas Cage
The Sea Horse
Thames 1985
The Potsdam Quartet
BBC 1980
Juliet and Romeo
Sud Deutscher Rundfunk 1974
The Verdict Is Yours
Granada 1970
All broadcast by the BBC...
Dickon, Lightfall, Richelieu, Kier Hardie, The Ex-Patriot, Talleyrand, Prince of Traitors, The Square on the Hypotenuse, Fangs Ain’t Wot They Used to Be & The Last Englishman
The Wicca Woman (paperback)
Levellers Press 2021
The Wicca Woman
Endeavour Press 2014
Ritual
Hutchinson 1967, Arrow 1968 & Finders Keepers 2010
There’ll Always Be an England
Anthony Blond 1985
With My Body
Weidenfeld and Nicholson 1968 & Corgi 1969
Journeys in Trance
Levellers Press 2020
Dropping Out of Seaweed Sky
Levellers Press 2017
I was lucky enough to work with David in What I Really Think Of My Husband, his play about Emma Hardy. From day one of the typically tight rehearsal period, some of which he hosted, he and Kate could not have been more welcoming, helpful and supportive. It was a joy to be part of. I had known about Ritual of course, but not about his tremendous enthusiasm and talent for poetry which I happily started to discover then. Enthusiasm is probably the word I associate most with David. Also Passion and Generosity. He will be sadly missed, but remembering him will always make me smile.
Laura Fitzpatrick
I had the pleasure and honour of working with David both inside and outside AWL. I directed the premiere of Edred The Vampire at the Old Red Lion in 2019 and directed readings of Lady Day, Newton’s Hook and What I Really Think About My Husband for AWL. David brought an actor’s sensibility into his writing which made directing his work a real delight. David never missed a rehearsal and was always a very positive and enthusiastic presence in the room even when it came to cuts in his work! David had a presence and authority befitting ’The Godfather of Folk Horror’ but was always courteous, kind and very funny. RIP David, you are much missed and loved.
Anthony Shrubsall
I was so sad to lose my friend David Pinner. Our friendship goes back close to 70 years. We were students at RADA together. I have one vivid memory of David walking down a corridor towards me, eagerly holding out a piece of paper. He said “Carolyn, I’ve just written a poem. Shall I read it to you?” Obviously I said yes. I sadly don’t remember that poem, though over the years have enjoyed his poetry and his plays. We were lucky to share a friendship with him and his lovely wife Catherine, as we all lived in Barnes, and enjoyed many evenings together, usually with a gin & tonic.
Carolyn Pertwee
I first wrote, as a drama student, to David Pinner over 50 years ago - he didn’t reply! When I reminded him of this recently, he told me he’d been very busy at the time, and, of course, I forgave him. He’s best known for his theatre plays, but I’ve always thought his real brilliance was his poetry. His early work, published as ’Journey in Trance’, is varied, interesting, upsetting, always beautifully written, and with that special gift of making you think it’s been written just for you. However, it’s not merely his work, but his life that is, was, special. His sense of fun and mischief was constant and it was a joy to see his beaming face, at the Polish Centre, usually with Catherine smiling beside him, with David invariably shouting out some, not always accurate, chunk of his idol’s Shakespeare verse: He was a man, take him for all in all. I shall not look upon his like again.
Paul Antony-Barber
David was the kindest, gentlest genius giant of a man. I loved him.
Madeline Smith
David was a wonderful writer and a warm, witty and affectionate character. He was highly beloved by a large family he was devoted to - particularly the lovely, supportive Kate. We became friends through my involvement in his fascinating piece on the Newton Hooke rivalry, which we planned to produce this year after finding a perfect director in Orsi Nagy and a talented cast. Sadly, David became too ill for us to proceed. I will always treasure the time I did have with him and hope we can honour his memory with an evening of his poems and extracts from his many marvellous plays at AWL this spring.
Gregory Cox
I was very fortunate to meet David and Kate briefly to take notes for the eventual interview. It was a privilege to spend that time one lunchtime in Barnes and to go through his illustrious career at AWL. But an enduring memory for me will be when David, without warning, at the end of the interview stood up and thunderously delivered some lines of Shakespeare reminding us that apart from being a novelist and playwright of the first order David had graduated long ago as an actor from RADA. It was a moment I will never forget and I can only imagine how incredibly powerful he must have have been as an actor many years ago.
Peter Saracen
David - a warm, kind man with huge talent and the ability to make me laugh. RIP and condolences to Kate.
Teresa Jennings
When I learnt that the writer of the original novel that had inspired The Wicker Man, that absolute cult classic, was a member of MY actors and writers group - well, you could have knocked me down with a feather! I took great pleasure in boasting about the connection. I couldn’t believe how young David was when he wrote Ritual. But he didn’t rest on his laurels. A lifetime of curiosity and ideas produced an eclectic range of plays, novels and poetry. Added to that, he was a kind, funny, exuberant, enthusiastic, twinkly, affectionate, generous and lovable man. With a wonderful wife in Kate - their devotion was plain to see. An inspirational man.
Robin Miller
Dear David, working on your wonderful script Newton’s Hooke, seeing and experiencing your vision, talent and creativity at first hand was a wonderful privilege that I will continue to treasure. May you rest in eternal peace.
Avena Mansergh Wallace
AWL was greatly honoured to have David among its members. My fondest memory of him was the night of his celebrity interview at AWL, when his presence filled the room to overflowing, and the laughter, not least David’s own, rang out like a glorious peal of bells. Second happiest memory was the joy of constructing his AWL page. It took me several days to list all his credits! Now I am so pleased that it stands as a lasting memorial to this great man.
Paddy Gormley
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